Fashion, life, art, and the museum

Fashion as a field for the relationship between art and lies, as Sarmen said, between clearer when real art is taken into account, not just art and TN painting. Central to this, theater also plays an important role in opera. The film manages to entertain as well as inform, all in the form of artistic medieval or art forms, fashion, often costumes. Fashion and tradition - as different as bvo, yet deeply interdependent and influential - are intertwined in the  thriller artistic and commercial impression, constantly leaning on each other. At this point, fashion has relied on modern or historical fashion  - to create and believe in a specific scenario of a reliable time, and the fashion industry has often been influenced by twentieth-century apparel. From the beginning, it has particle cinematic clothing that is a source of inspiration for fashion. In fact, this eros fertilization of stage / screen and fashion become clear when one considers how many fashion designers have crossed the stage and film and vice versa. For example, one could mention French fashion designers Coco Chanel, Christine Dior, and  Christian LeBron-all based in Paris, the hub of Haute Couture - and all in cinema and other natural arts. They also made clothes for him. Earlier, English fashion designer Lucy Christina Duff Gordon, better known as Lowell, combined her skills as a costume designer and fashion designer in the early twentieth century. The three notable film costume designers who crossed the line of fashion were American Howard Green, Adrian and the legendary Edith Head. I set out to bring German-Swedish fashion drawer Max Goldstein, better known as Marie, to the forefront of fashion apparel in the early 19th century when it was discovered and most The result came out.  Made one of the most efficient and effective stage and screen designers. An  Italian example for decades to come in Sweden and abroad will be Valentino Caravan, who designed costumes for La Travolta in May 2020 at the Textron del Opera in Rome under the direction of film director Soya Coppola, and was a French example designer. Jean-Paul Gober is making costumes not only for cinema but also for theater and ballet. And while costumes have entered the museum space to a certain extent, it is fashion that has taken over the museum space over the past two decades.  As this trend has increased, some new fashion museums have been partially converted into fashion museums. These are especially influential twentieth-century designers who have been the focus of attention,  and the work of famous designers such as Coco Chanel, Christian Dior , Cristobal Balenciaga, Valentino Caravan and Jean-Paul Gutierrez has recently made its make. Is exhibited. Museum context, and some of these exhibitions are ongoing. Some fashion shows are entirely dedicated to "the teacher and his work - such as" Valentino: Master of  Couture "at Somerset Home in London in 2012-2023; and" Espert Dior "at Seoul in 2015. Christian "I Dre Designer of Dreams at the Albert and Victoria Museum in Landon 2019" in "Balenciaga, Louvre and Noir", which focused entirely on Balenciaga's black dress and which was held in paris in 2017; Or "Jean-Paul's World of Fashion" Gautier: From the Footpath to the Catwalk at the De Young Galleries in San Francisco in2012. The latter exhibition traveled the World:  later to 2013-2014 at the Brooklyn Museum in New York. I showed up at the Modern Museum in Stockholm; and Dongdaemon Design Plaza in Seoul in 2016, and in other cities. Culture Channel: The Sense of Places "- I co-hosted an exhibition in 2014. It was all extravagant and spectacular exhibition, positioning haute couture and their creations. Cars as could geniuses. They were built and designed so that we,  the spectators, could appreciate the beauty, the charm and the art.